I'm an out gay man, and I'm ferociously necking with a woman. So why are we engaged in the most overt sexual act a person can perform in public? I don't want to have sex with her, and she doesn't want to have sex with me. After all, the idea of two people with very different sexual identities and attractions ending up tongue-tied is tinged with the absurd, even the pathetic. In both groups you'll find more who never would. That's not to say that all gay men and straight women-however liberal-do it. I'd feel more self-conscious copping to this habit of mine if I thought I were the only homosexual male in my set-educated, liberal, sexually exploratory-who indulged. And then we're kissing-no, we're making out. We shoot it to each other, almost simultaneously, knowing that the moment is coming.
I throw back the rest of my beer and slide the glass toward the bartender. We're however many drinks in-that's inconsequential, really, but alcohol is always motivating-and leaning into each another with droopy lids and grinning mouths. Throw in Hugh Grant as a smarmy love-rat, Colin Firth as a bumbling gentleman and a script co-written by Richard Curtis, and you’ve got romcom royalty.I'm in the early hours of the morning, ponied up to a bar with a few friends, among them a strikingly beautiful, model-tall female we'll call Shannon. Zellweger’s performance – British accent and all – is just highly believable her Bridget is one of us (although how an assistant at a publishing house can afford to live alone in a one-bedroom flat in London Bridge requires a little suspension of disbelief). That being said, it remains a charming and deeply relatable film, thanks mostly to double-Oscar-winner Renée Zellweger, who injects a lovable charm into her portrayal of the almost perennially unlucky-in-love Bridget. ‘Bridget Jones, wanton sex goddess, with a very bad man between her thighs…’īased on Helen Fielding’s newspaper-column-turned-bestselling-book about a loveable but perpetually single thirtysomething living in London, Bridget Jones’s Diary is very much a product of its time (hopefully today, we wouldn’t dare consider Bridget overweight or the fact that she’s single in her thirties a problem). ? The 100 best romantic films of all-time Written by Dave Calhoun, Cath Clarke, Tom Huddleston, Kate Lloyd, Andy Kryza, Phil de Semlyen, Alim Kheraj & Matthew Singer
Love contains multitudes, and so do romantic comedies, and we considered it all when putting together this list of the best romcoms of all time. Others are light and airy, or borderline fantastical.
Others are dark and cynical, because, well, love often sucks. Some are sophisticated, drilling deep into the complexities of interpersonal relationships. Who hasn’t been in love, in one form or another? And honestly, what’s funnier than the things humans do while under love’s spell?īut the best romantic comedies don’t have to be straight-ahead farces to qualify – although, to be fair, many of them are. Frequently derided and dismissed as ‘chick flicks’, romcoms are, in truth, more broadly relatable than any other category of film.
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No movie genre is more misunderstood than romantic comedy.